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Also, the Pop tone mode provides a punchier alternative compared to the Classic mode’s diaphanous high end. The bass lift is more controlled and less distorted when pushed. In general, the REDD.37-51 sounds more refined, especially with higher drive settings, so you can slam it harder before the sound becomes too blurry.
A more conservative approach would be to choose the same emulation for both channels, producing a more consistent (and preferable) sound with mono sources, while choosing a different emulation for each channel with complex stereo material (like mixed drums) can widen the image slightly due to the difference between channels. The REDDs model two different channels (remember, this was analog gear-no two of anything sounded exactly the same), and you can choose either one for the left and right channels.